Buffalo Bill's Wild West Show, 1890, Italy. Royale Photographie, Rome
Wild West characters - a blurring between reality and the fiction of dime novels
‘Calamity Jane’ was in fact Martha Jane Cannary. She’d been orphaned at 14 and brought up her five younger siblings in frontier Wyoming. Later she befriended the soldier, scout and gambler James Butler ‘Wild Bill’ Hickok, the corrupt marshal who was bringing some kind of law and order to Abilene when Charley Hester had ridden in.
It was the dime novels that turned Jane Cannary into the whip-cracking, pistol-shooting ‘Calamity Jane’ who rode shotgun messenger on a stagecoach.
But Calamity Jane and ‘Wild Bill’ Hickok didn’t only show up in the dime novels. They played themselves - in live stageshows that were created by that other dime-novel favourite - the ex-soldier, buffalo hunter William Frederick Cody – better known as Buffalo Bill.
Buffalo Bill’s Wild West became an entertainment sensation in the 1880s. A phenomenon. Cody’s huge company – eventually 500 entertainers, including 100 Native Americans - re-enacted battles like Custer’s last stand at Little Big Horn. Loo-tenant Colonel George Custer’s nemesis – Chief Sitting Bull – even took a turn in Buffalo Bill’s shows himself.
There were displays of horsemanship and ropemanship. There was a buffalo hunt. Then a stage coach would burst into the arena, its occupants bristling with guns. It was pursued by a screaming posse of Indians. But the Native Americans – mostly Sioux, who incidentally were paid the same as the whites and the Mexicans – were not only there to fight. They also created an ‘Indian Village’ where visitors could sample their way of life and witness their ceremonies and dances.
In 1887 the latest version of the show – entitled ‘The Drama of Civilisation’ – travelled to London as part of ‘Buffalo Bill’s American Exhibition of Arts, Inventions, Manufactures and Resources of the United States.’
It extended over 7 acres in Earl’s Court. Within a week it had played a command performance to Queen Victoria herself. For six months spectators packed in – 20 000 people paying at least a shilling, 14 shows a week.
By the end, over two million had seen it and they’d launched Bill Cody’s operation into the showbiz stratosphere.
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