Blowing up the Gunpowder Plot

- Episode 02-

‘Here lieth the toad’

*with a Remembrance Day message for 11 November

#78 Remembrance - aren't we forgetting something? (R)
Wednesday 9 November 2022
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#78 REMEMBRANCE - AREN'T WE FORGETTING SOMETHING?
An image from a Remembrance website

We will remember them

According to the respected Robert Schuman Centre, nearly 20 million people died in World War One. But notice this. That figure includes 9.7 soldiers and 10 million civilians.

Just more than half of those who died were not in uniform. in 2001 the International Red Cross calculated that, in modern warfare, ten civilians die for every soldier killed in battle
 
So why is it that, on Remembrance Day, we are treated to marching bands and columns of men and women in uniform? Why do war memorials up and down Britain only record military deaths?

Where are the memorials to the civilians who died? Why in fact is remembrance organised by the military at all? Wars may be fought by the military. But the dead we should be remembering are civilians and military.

Now in Britain, you could reply, the figures are unusual. Although something like 60 000 civilians died in the Blitz – and are, let it be said, nowhere remembered on Remembrance Day, Britain has not been invaded since 1688.

Britain fights its wars abroad. So in terms of people killed, civilian deaths tend to be much lower in Britain than military deaths. Maybe you could argue that, for Britain’s own remembrance ceremonies, it’s appropriate enough for the military to strut their stuff. The dead we’re remembering are mostly theirs.
 
Well, for one thing, we should be remembering the dead of the places Britain still called colonies while it was fighting its wars.
 



This thoughtful tribute to the war dead is about 20minutes long.


 
Volunteer recruits of the 'Preston Pals' parade in their civilian clothes in Market Square, Preston, on 7 September 1914, Imperial War Museum, HU53725

More civilians are killed in war

Two and a half million Indians fought in British forces in World War Two. It’s another chapter that’s been largely forgotten. But the outcome of the war, especially against Japan, would have been completely different without the Indian soldiers. 87,000 gave their lives.
 
However, between two and three million Indian civilians died while the war was going on. They mostly starved to death in the Bengal famine of 1943, a combination of malnutrition and malaria that was almost entirely created by the policies of the British wartime administration.

Prioritising the defeat of Japan, Churchill’s government directed what scarce resources there were in India to its armies rather than even trying to feeding its civilians. It was the only famine in modern times that was not caused by drought. In fact, in 1943, rainfall was above average. Like the morality of the carpet-bombing of Dresden these are important topics for discussion.

We also look at Britain’s own military dead. In the First World War 3 million of them were conscripted into uniform and had no choice. The rest were ‘volunteers.’ Would they have liked to have been seen as military or civilians? Shouldn't we at least have that conversation?
 
#78 Remembrance - aren't we forgetting something?
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Also by Jon and Penelope on this theme:
Nightmare in the Trenches (WW1/Somme) 
World War One: how much was it Britain's fault?

 

#25 'Here lieth the toad' - Ep 2 BLOWING UP THE GUNPOWDER PLOT
So who was Robert Cecil, James I’s shadowy chief minister at the time of the Gunpowder Plot of 5 November 1605?

Robert Cecil was so concerned about his physical appearance that he insisted that all portraits of him used the same image

'Here lieth the toad'

Although Robert Cecil left plenty of papers, no historian has yet been able to face writing his biography! But it seems that we shall never get to grips with what was really going on in the Gunpowder Plot unless we try to understand him.

There was widespread satire at the time of his sexual appetite. Cecil was widely believed to divide his time between two mistresses: Katherine Knyvet, the Countess of Suffolk, wife of Thomas Howard, the Lord Chamberlain, and Lady Walsingham, Mistress of the Robes to Queen Anne of Denmark. Historian Pauline Croft suggests he might even have been in a ménage a trois with the Earl of Suffolk and his wife.

This led us to discover some interesting coincidences: Cecil takes the notorious 'Monteagle letter' first to the Earl of Suffolk. Knyvet was the niece of Thomas Knyvet who lived at 10 Downing Street and 'discovered' the plot. 

Cecil was barely a metre and a half tall. Back in 1600 someone had scratched ‘here lieth the Toad’ over his door at court. Like King Richard III a hundred years before, he suffered from scoliosis, a severely twisted spine, which gave him a crooked back. At some point Cecil (like many of the wealthy) had contracted scurvy and began to be covered in open, stinking sores. 

But it wasn’t his appearance that made him so many enemies – rich and poor. His own cousin, Francis Bacon, wrote to the king, James I of England and James VI of Scotland, saying how much he hated Cecil. Even the men Cecil worked most closely with such as the Attorney General Edward Coke, chief prosecutor at the Plotters’ trials, put on record how much they detested him.

But what matters to us is what might have motivated Cecil to fabricate an entrapment of the so-called Gunpowder plotters or 'Powder-Men'.  That has everything to do with Cecil’s anti-Catholic views (inherited from his father, chief minister to Elizabeth I) and the hostility he faced from the pro-Catholic men closest to the new king.

[Satirical Song at the time of Robert Cecil's death lampooning his adulterous lifestyle -  'O Ladies, ladies howle and cry' - Cecil is referred to as Salisbury in this]

#25 'Here lieth the toad' - Ep 2 Blowing up the Gunpowder Plot
LISTEN BY CLICKING ON ICONS 



The Somerset House [Peace] Conference of May 1604, National Portrait Gallery

'A man who'd sell his soul for money'

In his instructions before the plotters’ trial, Robert Cecil tells the Attorney General that King James wants it made as clear as possible that the plot had not been hatched because of him or anything he had done – i.e. it had nothing to do with the anti-Catholic legislation introduced by James in February 1605. 

To make this lame excuse credible it was important to push the beginning of the plot to before the middle of 1604, to the days when James, in hope of peace with Spain, was still being lenient to the Catholics and they had nothing to complain about.

The date 20 May 1604 was given as the day the plotters met in a London pub, the Duck and Drake. The same day, conveniently, that the first formal session of the historic peace talks between the English and the Spanish began at Somerset House a short distance away along the Strand.

At the peace talks, Cecil was determined to go on supporting the Dutch Protestants who had been fighting a twenty-year war against the Spanish. The Dutch were bribing him not to make peace with the Spanish. At the same time he was taking bribes to do exactly the opposite from the Spanish (sending his mistress Katherine Kynvett along to demand them for which she in turn extorted payment from Cecil, and her other lovers.) And meanwhile, Cecil was also personally making a tidy profit from privateering - officially licensed piracy - against Spanish ships in the Mediterranean and the West Indies.

No wonder the Spanish were openly muttering that Cecil was an habitual liar, ‘heretical as Satan,’ a man who’d sell his soul for money.

So on 20 May 1604 everything was up for grabs. Cecil’s career - conceivably even his life - was on a knife-edge. Down the road on the London stage, audiences were booing and hissing Richard III, knowing all along that they were really booing and hissing Cecil. And Cecil faced the prospect, over the next few weeks, of his fellow negotiators agreeing to Spanish demands for major concessions for the English Catholics.

Trying to stop them was going to be an almost impossible ask. What his more successful father have done? 'Discover' a Catholic plot!


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