'The Ambassadors', by Hans Holbein the Younger, National Portrait Gallery
The French mourn the loss of the long worked-for harmony with Henry and Clement
At Easter 1533 Hans Holbein, who’d been painting portraits at Henry VIII’s court on and off since 1526, painted a large canvas of the French Ambassador to England, Jean de Dinteville, and a man who is probably his gay lover George de Selve.
It’s now in the National Gallery in London and is known as ‘the Ambassadors.’ From clues in the painting we know it’s meant to be 11 April 1533.
Now that was the day Henry’s Privy Council formally accepted Anne as queen. It was also Good Friday and, according to calculations at the time, reckoned to be exactly 1500 years to the day since Christ was crucified. It could hardly have represented a more solemn moment.
The Ambassador in the painting, Jean de Dinteville, had previously spent months in Rome, negotiating with the Pope on Henry’s behalf. So he knew Anne’s case intimately.
The painting is full of symbolism and there are many different interpretations. But most agree that it shows a world broken, threatened by turbulence and confusion, perhaps even chaos. A lute lies between the two men. Its broken string seems to sum up a world out of tune, lost, unable to sing.
At one level it expresses the sense among the French that their long worked-for harmony with Henry had snapped. They were no longer working together.
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